Still from The House that Slaves Built, directed by Gabriel Auffant.
Finale Celebration
November 19, 2020 | 6:00 PM – 8:00 PM CST
Doors Open at 6:00 PM | Performance Starts at 6:30 PM
Tickets
General $30
NCHM Members $25
Students (with ID) $20
Come celebrate the conclusion of If These Walls Could Talk and the premiere of the film The House That Slaves Built.
If These Walls Could Talk has been a transformative project for the Neill-Cochran House Museum and for all who have engaged with the exhibit and its performances. Over the course of 2020, we have walked together in exploration of our site and of Austin’s past to better understand and in many cases discover the inequities embedded in our shared history that continue to leave their mark on our lives today. We have been honored to be a part of productive conversations not just about our past but about Austin’s possible future, and we are committed to continuing to be a part of the dialogue moving forward. As we get ready to say goodbye to the show in its physical manifestation, we invite you to come out and celebrate to celebrate the steps we have taken together.
This special performance will explore the legend of the ghost of Robert E. Lee, thought to have been seen in the 19th century haunting the NCHM, will celebrate this incredible and provocative show, and will see the premiere of the long awaited film The House That Slaves Built.
Do not miss your chance to be a part of it all!
Meet the Artists
Jennifer Rousseau Cumberbatch
Jennifer Rousseau Cumberbatch is a pastor, counselor, actress and playwright from Austin, the owner and founder of JR Cumberbatch Productions, and Cumberbatch Confections. Jennifer is sent out from Agape Christian Ministries, where she was an associate pastor, to found and establish Full Measure Ministries. She has written, starred in, staged and produced several productions, in Austin and throughout Texas. She has starred in her one woman show “R3: Real Life, Real Women, Real Stories”, “and performed as “Sadie” Delany in “Having our Say, the Delany Sisters First 100 Years”, and Sally Burditt in “The Bluebellies in Austin: Readings from the Travis Country Slave Narratives”. Jennifer worked with and was directed by the late and venerable Boyd Vance, founder and artistic director of the now defunct Pro Arts Collective. The Boyd Vance Theater at Austin’s Carver museum is named after this great artist and visionary and is the inspiration for Jennifer’s Production Company and passion to tell the stories of African Americans, Black people and all peoples with authenticity and depth in the context of the American landscape. A graduate of Brown University and Austin’s Seminary of the Southwest, Jennifer also preaches, teaches, leads retreats, and is a vocalist and published writer.
Ginger Geyer
Austin artist Ginger Geyer grew up in Springdale, Arkansas, attended the University of Arkansas and earned BFA and MFA degrees in painting and art history from SMU. She also has a lay degree from the Seminary of the Southwest in pastoral ministry. Formerly an art museum professional (Dallas Museum of Art and Kimbell Art Museum), she occasionally consults on collection management and architecture. For 15 years she directed artist workshops and curated the gallery for the H.E. Butt Foundation retreat center, Laity Lodge. All of this, plus being a mother of two and grandmother of one have informed her avid studio practice. Writing, serving as adjunct professor at both Seminary of the Southwest and Concordia University, and making art with homeless people have also influenced her art. For thirty years, porcelain sculpture has been the primary medium for combining her quests into art history, museology, spirituality, and culture. A large body of “not quite trompe l’oeil” works are accompanied by ever-changing narratives. A retrospective of her work in early 2020 at the Neill-Cochran House Museum in Austin takes it beyond the gallery scene into an immersive experience throughout the historic house and its slave dependency. “If These Walls Could Talk” is a collaborative with a performing artist to explore both the privileged and the enslaved who graced these grounds. More information can be found at www.gingergeyer.com, Instagram and Valley House Gallery & Sculpture Garden in Dallas.
